All images © 2023 Choi+Shine Architects
Aiko Tachikawa
Aiko Tsukiji
Akie Ishimatsu
Akiko Fujita
Akiko Hirakawa
Akira Nishiyama
フィッシュ明子
マイケルズ・エリカ
マイケルズ・ハルミ
上野真由子
Amber Lin
Asahi Fukushima
Atsuko Matsuo
Ayaka Matsumoto
Bando Ikuko
Chiaru Yoshimura
丸尾啓人
久保美紀
井上晃輔
今村隆子
Chiharu Fujita
Chiharu Yamasaki
Chisaki Yoshida
Dongjin Kim
Eiichi Yamaguchi
Eiko Inoue
Eiko Matsuo
元永ちほ
内山花
力安祐子
力安祐子の娘
Emi Nakaguro
Emi Uchida
Etsuko Hisano
Fujita Tomoko
Fumiko Ikeda
Fumiko Osanai
及川路子
古賀直子
吉村ちはる
坂東郁子
Harumi Michaels
Hikari Fukushima
Hikari Yoshida
Hiroko Kobayashi
Hisayoshi Emi
Hyemi Choi
堀田節子
宮本 昇
宮本俊二
小原朋子
Izuki Nagata
Junko Fukuda
Kano Shimizu
Kaori Eichiyama
Kaori Hirai
Kazue Nakaura
小林紘子
山地淑子
山田侑加子
山田照子
Keiko Sawai
Kim Eunyoung
Kimiko Fukamachi
Kimiko Takase
Kiyo Araki
Koi Minami
岡部珠緒
岩渕元子
川崎 浩江
川﨑 さや
Kondo Akiko
Kotori Sekito
Li Li
Maki Morita
Maki Nagasawa
Mamiko Inoue
川﨑 にな
市村ひな
平川明子
平野 愛
Maruo Keito
Masaki Sekito
Masako Fukushima
Masako Shiroishi
Masako Tsuda
Mayumi Yamada
形山由起子
手塚美由紀
木村水紀
松村むつみ
Mayumi Yamaguchi
Megumi Hayashi
Megumi Shibata
Megumi Watanabe
Miki Nakamura
Mina Irie
林 恵
柴田 修
麻生嶋七美
桜井 愛
椎山明海
Crochet and Assembly Volunteers
Miyuki Tezuka
Nahoko Miyagawa
Nana Yoshimura
Nanako Tachikawa
Nanami Asoshima
Naoko Koga
武藤詩織
江頭珠
浦寺留美
深川 礼乃
Naoko Miyamoto
Norico Okabe
Noriko Taira
Rei Kanamiya
Reno Fukagawa
Rieko Takeuchi
深町貴美子
深見静美
清水優子
清水華乃
Rieko Takeuchi
Sahoko Mitsui
Saku Matsubara
Sakurako RIkiyasu
Satomi Iwasaki
Satomi Motooka
渡邉恵
満吉絵美
煌彩
片山琢己
Satomi Mottos
Satomi Suzuki
Seiya Konishi
Senko Sumi
Setsuko Hotta
Shizumi Fukami
矢野陽子
石橋拓
竹内理恵子
納田香代子
Shoko Tsukita
Showco Yamada
Sonia Cheung
Taira Fuka
Takako Imamura
Takumi Katayama
荒木希代
薄 里美
藤本美帆
藤田千遼
Tamami Egashira
Tamao Okabe
Teruko Yamada
Tomiko Tsugawa
Tomoko Honma
Tomoyo Omae
藤田彰子
藤田智子
西山 晶
足立祐花
Toshiko Yamaji
Tsuneki Irie
Ueda Mai
Yaeko Kanamiya
Yoko Yano
Yoriko Yokoyama
野村由紀子
野田真紀子
長沢真樹
髙瀬公子
Yu Kasai
Yui Kawashima
Yukiko Nomura
Yuko Ito
Yuko Rikiyasu
Yuko Shimizu
MUSEUM INTERNS
Akie Yanagida
Norika Takahashi
Kasumi Sakamoto
Sakura Tamura
Essential elements of the spaces for worship were studied and presented in abstract forms; Pagoda for its verticality; A series of gates (Toori) for its repetition, directionality and the symbolic significance as a tunnel between the secular and the sacred ; Temple as a hollow body to be completed; A bridge that connects from the past to the future, a procession.
Fukuoka is a pattern rich city. The patterns from nature, architectural details and urban scape were studied and implemented into the design.
The geometric and mathematical pattern sharpens the minds and repetitive movement of making creates a ritual; Every part of the work is touched by hands many times during the process; The laborious process embodies the makers’ patience and perseverance.
With the help of Museum staff and Aijibi volunteers, the project called for local volunteers, first to crochet segments of the project, then to sew the crochet pieces together. During about two months of workshop period, the volunteers worked closely with the artist, learned how to crochet, or taught each other and shared their progress, checking if they are following the patterns created by the artist to achieve the coherent whole.
Once all the lace pieces were crocheted, local volunteers worked together to join the crocheted pieces forming large segments, ready for installation.
Through the process, the volunteers bonded closely and created a true sense of community, while everyone shared ownership of the work to achieve a single goal: to create a beautiful work together. Skills learned from generations before connected us with the memories from the past and also with the people from the area whom we had never known.
“Many people have come to experience your work. Someone comes from Kagoshima pref. They say not only beautiful, but feeling something clear and positive mind….the security staffs in the studio are also very impressed everyday. Very very happy work, they say” , Hatsune Miyamoto, FAAM
It is saddens us that this summer is ending. The chorus of cicada at Ohori Park, turtles on our way to the studio, giant lotus blossoms in front of castle ruins and sweat beads on everyone’s foreheads despite overworking fans; we already know it will be greatly missed.
It was a huge challenge. To show how to make various complicated patterns to many people who had never seen the crochet hook before, in different language, in such a short time and in such a hot studio! Meeting daily for many weeks, we experienced the volunteers slowly warming to the concept of making art together under a shared, common goal. Our relationships evolved from a foreign artist, to a teacher, to friends as we truly shared the ownership of the work and the vision that now unites us.
The project became the physical manifestation of making and connecting art, craft and relationships. Barriers of language, different skills, culture and age slowly evaporated, replaced with hard work, determination and a lot of laughter. The bond of friendships will be ever more enduring than the artwork.
The work that united all of us is now complete, stands as a joyous emblem of everyone’s love and dedication. The art has become a signifier of the power each of us has in order to make a difference, The Power of One, or The Power as One, as it would not have been possible without the people of Fukuoka.
We are grateful for the kindness and support shown to us from everyone involved with the project, and the success of making the project is a testament to the volunteers, the technical crew, the museum staff, the City and to unseen supporter who helped to make this project a reality. We now feel very much at home in Fukuoka, and we promise that we will come back.
The design and images of The Power of One are copyright 2023, Choi+Shine Architects and may not be used without written permission.
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